Friday, February 20, 2009

The Universe is in the details

In May '08 I was waiting to begin training for a dream job as a high ropes guide from July to October. A few days after getting the good news, I made one of my very few trips into town where I ran into Tom, the Project Engineer for a building project on my campus. They were looking for a part time project administrator and had asked the school to put out the word in the business department. They'd had only two applicants, so he wanted to know just how much the word had been put out.

I hadn't heard about it, so he gave me a quick rundown and invited me to apply. I'd already got the green light for the job I really wanted, it was full time, the base pay was more, and with tips possibly double what they were offering; but since he had personally invited me to apply I thought it would be impolite not to, plus I had six weeks before my other job started and then once it did maybe I could juggle both.

A few weeks later I went to my courtesy interview, and after 5 minutes with Tom and the Project Coordinator Chris I wanted the job. I explained that I already a campus job, plus was going to be starting another soon, they agreed I could work until my other job started and then at my convenience once it did. July rolled in and I heard nothing from the High Ropes people, and they returned none of my calls/emails. I wasn't really disappointed I lost the opportunity because life rolls on, and I was happy working with Ruscilli; the camaraderie in the office was great, it was close, plus I got to wear a hard hat AND speak Spanish.

My job with them ran from June to November, and the savings from it paid travel and expenses for two trips I had to make, my school fees for this quarter now that my scholarship has ended, AND those savings are still tiding me over while I look for a new job.

I am jobless and living on dwindling savings, but as I stood in our cramped kitchen making a fruit salad and nibbling on the cuttings, I reflected on how great my life is - a chance meeting; a job I did not want or think I needed; and a few minutes invested in the good manners my mom taught me sweep together as a reminder that I am SO cradled.

And in a sweet extra, the drawing I am now working on was inspired by the brown paper I was using to ship closing documents from that office. I'm posting a new pic below.

If you think I am one of the hokey few the universe smiles on, maybe you're thinking about it too hard.

Wednesday, February 18, 2009

Happy Sandwich

I subscribe to tut.com for the daily newsletter, here is today's message from the universe:

"When you can look beneath their behavior that hurt you, Adaela, and you can see the frightened child - it becomes nearly impossible to be angry and carry a grudge.

And you so can.

ILY,
The Universe"

Above is the music that's keeping me buoyant today, and here is my work in progress:

I'm enjoying the messy freedom of working with oil pastels

Tuesday, February 17, 2009

Fever

has set my thoughts to frenzy.


Untitled acrylic on wood. Gifted on a birthday in '07.

"Stop Me If You Think You've Heard This One Before"

Who recognized my homage to The Smiths?

I forget now what propelled me to tell this story, but here goes.

I was involved in a relationship with a guy who seemed to hold all the promise and blessing of the universe. The thing is, just as apparent as his potential was his mess. He was all sorts of insecure and manipulative, which I chalked up cultural differences (he's from Zimbabwe, I'm from Jamaica) and flaws - which you reasonably ought to expect.

It should be apparent where this story is heading, so let me explain how it got there. I believe we all serve a function in each others lives, and as it became increasingly apparent to me how much of a mess I was in with this guy I became more convinced there was a reason we had crossed paths. I did not believe ours was a story without a moral, and I was not serving the universe justice if I did not sit it out to the big reveal.

Furthermore, even though he was a mess every one deserved to have some one love and believe in them, and perhaps my love and faith in him would make the difference he needed in his life. I didn't have any ideas I could "save" him, I just wanted to make a difference by showing him that he could be loved; and not everyone had selfish motives.

I will not delve into the hell I suffered because he NEVER trusted me, and everything I did was wrong, and every issue we ever had was my fault. He tried very hard to cut me off from the people I cared about or cared about me, because he felt noone liked him and everyone was trying to come between us or undermine him. Even more extreme was the issue of other men, he made a stink about ALL my male friends, and if I so much as attracted the attention of another man I could be sure there would be a scene made about it.

Imagine my horror at the big reveal - he proved to be likely the biggest man-whore in all of Athens county. He had lord only knows how many girls, flings, and fuck buddies all over my campus, his, and quite likely the internet. I am neither a pushover nor a fool, so you will understand that he put on quite the show to fool me. In the whole year plus we dated there were only two small indications that any such thing was happening and both were easily eclipsed by the fact that he did a GREAT job of crafting a solid image of someone not in the least inclined to infidelity - it wasn't in what he said but the things he did and how he carried himself. Kudos to you Langton Mahechani, you are the greatest con artist I have ever met.

Here is the moral of our story.

I was completely shell shocked by my discovery, and way more hurt than I thought possible since our relationship had always hung by a thread. Even now there are days I can barely breathe past the knot of that betrayal. But I don't think I was wrong to believe in him, and I do not regret a minute of our relationship. I do not know that he allowed me to make a difference in his outlook, but he certainly qualified mine. I have lost none of my love for, nor my faith in the goodness of people. But after Langton I recognised that though every one deserves love, chances, forgiveness, acceptance and all that zen shit, it's not automatic they should have MINE, and I need to have filters that help me decide who is and who is not worthy. If someone is a not.... I am going to be very sparing with the energy dedicate to them.


So my new take is to decide what's important to me in my relationships(friendships or otherwise), and stick to it. Nobody is perfect it's true. But I've recognised the need to establish where to draw the line.

The biggest thing I've learned is to stop caring and stop giving so much. I had no idea keeping myself and my shit to myself and allowing people to EARN whatever I give to them was so important, or would make me feel so emotionally healthy.


It might seem odd to those who know many of the details of what happened, but though I am hurt, I am not bitter, because I was cradled the whole time.

And I'm glad he taught me this necessary lesson to pass on to you.

Know you too are cradled.

Deer in the headlights

The idea I should start a public blog came from the NEED to remain productive now that I no longer have classes. In typical find the answers in the wind fashion I listened to the little voice that said... write, that's the first step.

BUT

I've had bloggers block since starting ruminations - my very first public blog - and which to date consists of recycled posts from my private blog. As of now, I am certain no one is reading, but the idea that a complete stranger may stumble upon my ruminations has made me stop to consider "what would I like a perfect stranger to see of me?".

Now that I've subdued bloggers block and am scratching the hell out of it with my pen, I'm contemplating what I want out of my blogger experience and I've decided I would like to share and find kindred spirits.

In that vein, I've been known to draw a thing or two. I always want to draw, always. My everyday processes are always peppered with images, and questions about what I want to say, and how to say it. I have never found an answer, but the need to draw/paint/create now and again spills into what I refer to as "in the meantime" creations. Artistic accidents that happen when I just HAVE to put pencil to paper, or create a form... arrange words... create SOMETHING or else destroy or self destruct.

The thing about in the meantime is what comes out is never anything I've ever imagined, or ever understand, but it's always right. The movements and lines flow out in a rush of sweet relief, and I am always surprised at what I've created.

I usually end up giving away whatever I create because it's not what I imagined; but the more of these pieces I create I come around to the idea that perhaps I will never think a piece from concept to paper, and I may never be able to explain what the images represent. Maybe MY art will always be what happens when I step to my medium in faith and allow those lines to flow from me.

Here is my most recent endeavour. A few months ago I imagined charcoal against brown paper and ripped a piece off and tacked it to my closet door. Here's the hasty drawing and experiment with media - charcoal, sharpies, and watercolour.
I've applied oil pastels since - a medium I have not worked in in a long time, so it's touch and go how it will turn out. I will post pic of my progress later.

Friday, February 13, 2009

The Pink Room

This poem has followed me to every blog.

The Pink Room

I am remembering the white-tiled floor,
the rose-pink walls shadowed by dying light,
while we wrapped naked behind closed doors,
as rain murmured to your moans at passion's height.
I think those walls might remember them still:
the things we whispered, lying there entwined,
that the silent louvres, masked by curtains, will
echo secrets we left floating behind.
How true were those glistening beads of sweat,
the careless words we could have left unsaid?
Could there be reason fluttering there yet
to lead us again to that uncommon bed?
The trusting heart bleeds and suffers the pain
of lust in love's guise again and again.

é Princeton Ebanks 2006

subtle is sexy

It's true what my granma said, easy come easy go.
I like to ponder your parts and piece you together.
a subtle show of desire, of temper, of wit makes me hungry for the rest.
Otherwise, you're just too easy... come... easy go.


subtle

the unfortunate fruit juice rant

I had an epiphany recently. Get comfortable.. is a long and convoluted story - y'know how I do.
So i'm cleaning up the kitchen and I decide I'm thirsty (tussty as we say in Ja), so I mentally run through the list of things in the fridge but none appeal to me. So i'm thinking to myself, I guess I'll drink water like I always do.
But why do I always drink water?

Follow my thought process now... So i'm thinking, must be because I always had water eating out because my mom always told me sodas and sugary fruit drinks aren't good for you and that's a standard offering when you go out to eat. But wait, that's not entirely true, growing up in Jamaica the fruit juice was a big deal and a large feature at most restaurants... - the constant fruit punch, which was orange juice based and then a mix of whatever was seasonal, and then seasonal juices... apple being my favourite - to this day.


Anyhow, these juices were made at and by the restaurant people. And then along came tru juice and wakefield... and den braps... di people dem stop mek juice. When saying so... wakefield and t/j used to be not so shabby. But there is no way sugar, colouring, flavouring and a reasonable amount of fruit concentrate can beat freshly blended juice.


My resentment of wakefield and t/j was so much I had to leave what I was doing to come and blog about it.
Wait.. maybe that's more ADD tendencies than resentment that propelled me over here. Anyway, as I siddung here ah cuss out tru juice and wakefield mi realise they are not the primary reason I drink so so water. Is farrin do that. Go out to eat and all dem have to awfah yuh wid yuh meal is damn iced tea and pepsi... bad man nuh jink dat.
sen' on ah glass of water please tenks!

- note to self... get yourself under control with the damn ellipses, which are also colloquially called "dot dot dot" - really. how clever. But on a different note... I think I need to post a blog about how ellipses are the literary crack. I know I use them in places I could easily use other more appropriate forms of punctuation, but once you start using them, it's hard to believe you don't NEED them everywhere.

red belly guava
mango

Thursday, February 12, 2009

"Best of Tuesday Nite Live" was the best



Last updated: Thursday, February 12, 2009, 11:16 AM EST
front page
news
sports
editorial
columns

life style
western news
contact us



'Best Of Tuesday Night Live' was the best
By Darren Khan Observer Entertainment writer
Sunday, December 24, 2006

Katherine sang like an angel, Cezar defied description, the Ray Darwin Band, Cusser & the Storm Band, GasMoney and Rootz Underground absolutely rocked on Tuesday night at the Village Café, Liguanea, St Andrew.

Singer Katherine in previous TNL performance

The event was the 50th weekly staging of Tuesday Night Live, designated the Best Of Tuesday Night Live. Katherine, newly shorn, curled and blonde locks sparkling and guitar in hand, kicked off the event. With Jason Wharton on the flute and Craig 'Phlea' Lee on the drums, she sang Pins'n' Needles, Feel The Burn and Pain Won't Go Away. To say she was stunning would be putting it mildly. Performance poet Ganja put in a cameo with Katherine before soloing and sparkling.

It was a night when everyone was on the top of their game. The GasMoney quintet of Fabian Pinkney on lead vocals, Vernon DaCosta on rhythm guitar, Akiri Cooper on drums, Andre Dennis on bass and guest lead guitarist Hamilton Brown of the band Anthirium rocked through a cover of Incubus' Megalomaniac and three originals: Dead Inside, Drift Away and Wooden Doll. Fabian has a voice many would kill to possess and he used it well, and the other band members played like there was no tomorrow.

Cezar did One Way Love, Beautiful, Take The Fall and Keep On and if the screams from the ladies present was any indication, he closed out the year with a bang. Ray Darwin and his band performed like the stars they are and had everyone screaming for more. Cusser & The Storm Band did their unique - for Jamaica at least - brand of punk rock and had practically everyone pointing their first and fourth fingers to the sky.

Rootz Underground defies description. Clearly on the top of their game, their blend of blues, rock and roots reggae put the audience into a frenzy. Stephen Newland on lead vocals, Jeffrey Moss-Solomon on vocals and rhythm guitar, Colin Young on bass, Paul 'Scooby' Smith on keyboards and Charles Lazarus on lead guitar went through Smile Jamaica, Soul 2 Soul, Riverstone, a cover of The Cure's Love Song, Love Again, Victims, Corners and another cover, Midnite's Late Night Ghetto and they could do no wrong.

Tuesday Night Live (TNL) is the brainchild of Village's Robert Collins and Mystic Urchin's Cherie Dowdie (who is leaving the island to attend school) with inspiration from Bobby Barnes of Cusser & the Storm Band, and its Internet presence can be found at http://www.myspace.com/tuesdaynitelive. Dowdie, who took an active part in TNL for the last time on Tuesday, says "Tuesday Nite Live came from Tuesdays In Stereo, which we were doing last year, it was a great event and we were very proud of it... but because it was an 'event' we couldn't sustain it.

"So we did it for three months and called it quits... I'd always wanted to restart it but I couldn't seem to get anyone behind me. When I was just about to give up Robert (Collins) called us and said 'Hey, let's do Tuesdays In Stereo again' and I said 'But Robert we don't have any support, I don't see how we'll be able to do it'. He said 'Well... you don't need any. Just do it'.
"So we did.

"Now... left to my own devices, I wanted to create a show that was about the music. Not about the hype of where to go this Tuesday night. I wanted to create a platform for musicians who wanted to be heard but weren't getting any airtime in the mainstream, and for people who wanted to hear something different than mainstream music. I feel really great because I think we've actually succeeded in doing that.

"The highest points of TNL for me was at the end of the night when the people who knew I was the one who was pulling it all together would come to me and say, 'I love what you're doing here, or when the band members would say, I'm really happy someone is doing this.' Low points...when we weren't making enough money.and at the end of the night I had to look at an artiste who'd gone through so much effort and expense... and say, 'I'm sorry, I don't have enough money to pay you.'"

Cherie Dowdie's 'duties', as it were, are being taken over by independent marketing consultant Julia Vaz, who has big plans for the future of Tuesday Nite Live. Apart from continuing to provide a platform for those who wish to break into the entertainment business and expose their talent, she says Mystic Urchin and Village Tube - the production/cable television arm of the Village Café involved with Tuesday Nite Live, which will air the performances - want to establish a 'performance space' for artistes and hopefuls.

According to her, ". artistes will have somewhere to rehearse and practice, and in return they could teach. people who want to learn (how to play instruments, sing, various aspects of the entertainment business etc)."

"Ultimately," she continued, "it is our hope to use TNL to bond together the community of musicians and lovers of live music."
There are also other plans which will have to be fleshed out she says, but one is teaching acts how to get by in the business and about the tools they will need, such as ready biographies, sample CDs and the like.

One thing that Julia Vaz says she would like to change is the time the show starts each Tuesday night. Currently, the live performances start at around 11pm - which is when patrons actually start arriving, in keeping with one of the peculiarities of Jamaicans when it comes to entertainment. They would like to start earlier and so appeal to lovers of live music to turn out earlier.

Copyright© 2000-2001 Jamaica Observer. All Rights Reserved. Terms under which this service is provided to you.





Click image to view full size editorial cartoon

Terry Linen sued by management team

Poets defend ban on explicit songs

Sasha moonwalks for Florida mag


Which one of these personal finance goals do you most hope to accomplish in 2009?
Refinance home with a lower mortgage rate
Finally buy a house
Find another source of income
Migrate
View Results